RENI, Guido
Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.
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RENI, Guido The Glory of St Dominic oil painting


The Glory of St Dominic
1613 Fresco
Painting ID::  32495 		RENI, Guido
The Glory of St Dominic
1613 Fresco
   
   
     
RENI, Guido Salome with the Head of Saint John the Baptist oil painting


Salome with the Head of Saint John the Baptist
1639-1640 Oil on canvas
Painting ID::  32498 		RENI, Guido
Salome with the Head of Saint John the Baptist
1639-1640 Oil on canvas
   
   
     
RENI, Guido Recreation by our Gallery oil painting


Recreation by our Gallery
mk79 About 1620
Painting ID::  32530 		RENI, Guido
Recreation by our Gallery
mk79 About 1620
   
   
     
RENI, Guido Recreation by our Gallery oil painting


Recreation by our Gallery
mk79 1631 Prais
Painting ID::  32597 		RENI, Guido
Recreation by our Gallery
mk79 1631 Prais
   
   
     
RENI, Guido Recreation by our Gallery oil painting


Recreation by our Gallery
mk79
Painting ID::  32612 		RENI, Guido
Recreation by our Gallery
mk79
   
   
     
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     RENI, Guido
     Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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